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19 Secrets About Disney•Pixar’s INSIDE OUT

Recently, our staff visited Pixar Animation Studios to meet with filmmakers and learn about the movie, Inside Out. We made it our mission to uncover all the secrets (well, at least some of them) from behind the scenes of this blockbuster movie.

Here’s what we found out!

1. It took roughly 1800 animated cells to make Inside Out—and it took a crew of nearly 350 people more than five years to create those shots that make up the movie you see in theatres.

2. Inside Out producer, Jonas Rivera, says he was the very first intern at Pixar Animation Studios when he arrived in 1994. Nice!

3. Inside Out director, Pete Docter, drew inspiration for this movie from his eleven-year-old daughter, Ellie. Watching her mood swings as she was growing up, one day Docter looked at her and thought, “What is going on inside her head?” That seed became the inspiration for the movie. (BTW—Ellie was 16 years old when the film was finally finished.)

4. Production Designer, Ralph Eggleston, found inspiration for his work on Inside Out from Francis Ford Coppola’s 1982 musical failure, One from the Heart. Eggleston says, “It’s not exactly the greatest movie in the world … It’s like killing an ant with a nuclear bomb. But it’s beautiful.”

5. Pete Docter’s career in animation started in about third grade, when he got in trouble at school for drawing in the pages of his math textbook. He wanted to turn it into a flip book. Instead of punishing him, Pete’s parents bought him a set of Post-it Notes® to use for his future animation projects. Docter says, “For 5 cents you could buy a note pad and make a better flip-book than your math book makes!”

6. While working on Inside Out, Docter and his crew often started their days by first enjoying classic cartoons from legends of animation like Chuck Jones and Tex Avery. Docter reports they watched all the Goofy shorts and, “We had a whole Tex Avery month!”

7. For Inside Out, animators wanted the characters of Joy, Sadness, Anger, Fear, and Disgust to be “characters made of energy, not flesh and blood.” This required lighting technology not yet created … so the wizards at Pixar invented it. Oh yes they did.

8. “CBB” was a codeword often used when Pixar filmmakers evaluated frames and sequences of film during production of Inside Out. “CBB” means “Could Be Better.”

9. Inside Out originally featured more than just five emotions as characters. “We had Hope and Pride and Ennui and Schadenfreude that we played with,” Pete Docter says. “A whole host of other characters that didn’t make the cut. It got too complicated.”

10. There’s a cooking magazine shown early in the movie, when young Riley is imagining her living room floor is covered with lava. The chef on the cover of the magazine is Colette, from the Pixar film, Ratatouille.

11. “Most of [Riley’s] background memories that you see on the shelves,” director Pete Docter also says, “are actually shots from the ‘married life’ sequence of Up! So if you look really carefully you can see, oh there she’s straightened a tie, there’s Carl and Ellie, or breaking the jar, or things like that.”

12. When the character of Bing Bong cries during Inside Out, his tears are colorful, wrapped candies. During Pixar media days for the movie, members of the press were treated with platters of “Bing Bong Tears”—colorfully-wrapped, homemade, caramel candies.

13. The Pizza Planet Truck from Toy Story makes an appearance in Inside Out as well. Director Pete Docter teases, “There’s three separate scenes that I know of, and probably more, where it shows up … Right as Joy is first chasing after Bing Bong, look around there. That’s the easiest one to spot.”

14. Pete Docter’s college classroom number, “A113” appears in Inside Out—though he wouldn’t tell us where. Best we could get out of him is that it can be seen sometime in the last half hour of the movie.

15. When Ralph Eggleston was a young teen, he liked to spend entire days at the local movie theatre, sneaking out of one film into the next until closing time. “I saw Time Bandits eight times in a weekend!” he says.

16. Co-director, Ronnie del Carmen, moonlights as a comic book artist for both Marvel and DC Comics. You can check out some of his cool work here. (His variant cover for Uncanny X-Men #7 is especially cool!)

17. As in all Pixar films, John Ratzenberger makes a voice cameo appearance. According to director Pete Docter, you should listen for his voice during the last half hour of Inside Out.

18. The setting for Riley’s California home is based on a real place, on a real-life corner in San Francisco. Production Designer, Ralph Eggleston and his crew scouted and sketched the corner as inspiration for their work in the film. (No, they didn’t tell the people who live there what they were doing!)

19. Pete Docter was raised in a Lutheran church, and today make no apologies for his Christian beliefs. But during his college years he had something of a crisis of faith. He says, “I kind of thought, All right, I don’t know if that really is speaking to me….I credit my wife [Sharon Docter] for kind of pulling me back…I think there’s something fundamental to the Christian faith that speaks to the core of who we are.”

–MN

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Captain America: Civil War

When politicians pass the Sokovia Accords, in an attempt to protect civilians from the mayhem which occurs when superhero’s attempt to save the world, Captain America and the Avengers are split on whether to accept or reject the Act.

Marvel Studios

Rated PG-13, for extended sequences of violence, action and mayhem.

Genre: Action

Viewer Appeal: Ages 12 and up

I know why this is a Captain America movie, but really, it could be titled Avengers: Civil War.

How can you go wrong with a movie that includes Captain America (Chris Evans), Iron Man (Robert Downey, Jr), Black Widow (Scarlett Johansson), Hawkeye (Jeremy Rinner), Antman (Paul Rudd), as well as numerous other Avengers and superheroes? I know why this is a Captain America movie, but really, it could be titled Avengers: Civil War. Whatever it’s called, with that cast, you simply can’t go wrong.

So, you might have noticed in previous movies, that when the Avenger’s fight off enemies, they tend to destroy entire cities. New York. Sokovia. And innocent people get caught in the crosshairs, and die. It hasn’t escaped notice by the United Nations, either, and when additional lives are lost in Logos, they take action. The UN put together the Sokovia Accords, which places the superheroes under a board who decides when, and if, they should act. They want to Avengers to sign the accords in agreement. Tony/Iron Man and Vision (Paul Bettany) see the logical necessity for such an accord, but Captain America and Falcon (Anthony Mackie) feel differently, and refuse to sign. Meaning, they have to retire.

Trouble doesn’t take long to find the Avengers…

..and test their loyalties. Several days later, in Vienna, a bomb tears through the building where the accords are being ratified, killing King T’Chaka (John Kani) of Wakanda, and leaving his son, Prince T’Challa (Chadwick Boseman) grieving his loss. Soon the media is reporting that Bucky Barnes/The Winter Soldier (Sebastian Stan) is behind the blast. Of course, Steve Rogers can’t believe that his oldest friend is behind this terrible act, and, illegally (due to the new Accords), sets out to find and protect Bucky.

This is where the rift between the superheroes cuts to a chasm with Iron Man, Vision, Black Widow, Spider-man (Tom Holland), and War Machine (Don Cheadle) on one side, and Capt. America, Falcon, Hawkeye, Black Panther, and Antman on the other. The battle that wages between these ten heroes is epic and awesome, funny and heart-breaking. While most friendships don’t endure something of this magnitude, it’s a great illustration of what happens when friends and family don’t see eye to eye. When they take sides, determined to show who’s right and wrong.

As with all Marvel movies, the story is told with explosions, humor, intrigue, and a sighting of Mr. Stan Lee himself.

While the fighting and exploding buildings/cars/planes take up a good portion of the movie (hence the “Action” genre), it’s all very entertaining. Truly the funniest part of the movie is the big fight scene between all the characters, with sarcasm and one-liners popping off regularly. But with the levity also comes the sadness of watching friends torn apart by their response to the guilt and responsibility they feel for those threatened and hurt by evil. This isn’t just a comic book, action, superhero movie, but one with heart and messages of vengeance, forgiveness, and friendship.

Additionally, more than 60-minutes of bonus material is included on the Blu-ray edition of Captain America Civil War: an inside look at the evolution of lead characters Steve Rogers and Tony Stark, a behind-the-scenes exclusive on the making of Marvel’s “Captain America: Civil War,” never-before-seen deleted scenes and hilarious outtakes. Plus an exclusive, first look at Marvel’s “Doctor Strange,” starring Benedict Cumberbatch, coming to theaters Nov. 4, 2016.

Here’s a list of the specific Blu-ray bonus features:

• United We Stand, Divided We Fall – The Making of Captain America: Civil War Part 1 & Part 2 – As the tension mounts, sides are chosen and lines drawn. Learn more about the characters on each side—from Captain America and Iron Man to the latest recruits. In this complete behind-the-scenes look at a landmark in the Marvel saga, we’ll examine their stories through exclusive footage and interviews and discover just what went into selecting the Super Hero teams, filming the epic action sequences and introducing Black Panther and Spider-Man to the MCU.

• Captain America: The Road to Civil War – Explore the First Avenger’s fascinating evolution from loyal soldier to seasoned, conflicted hero who questions authority.

• Iron Man: The Road to Civil War – From Gulmira to Sokovia, delve into the development and evolution of one of the most iconic characters in the Marvel Cinematic Universe.

• Gag Reel – Break the tension of this high-stakes conflict with some hilarious outtakes featuring the lighter side of your favorite Super Heroes.

• Deleted & Extended Scenes – Check out never-before-seen footage that didn’t make the final cut of “Captain America: Civil War.” 

• Audio Commentary – Directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely deliver scene-by-scene insight and explain the storytelling challenges they faced creating the third installment of the Captain America franchise.

• Open Your Mind: Marvel’s Doctor Strange – Exclusive Sneak Peek – Go behind and beyond the scenes as Doctor Strange makes his journey to the big screen.

Let’s Talk About It

Use these questions to spark discussion among family members who are interested in this movie:

• Tony is clearly conflicted by the guilt he feels and responsibility he assumes for the actions of the Avengers. He sees the correlation between fighting evil and the effects that has on others. Which is interesting for a character who is self-absorbed and self-centered. Why do you think he seems to feel guilt more than the others?

• Despite Bucky’s past, Steve is certain that he wasn’t behind the explosion in Vienna. Do you think he was wise to assume Bucky’s innocence?

• On the other hand, Prince T’Challa is quick to seek revenge against Bucky. How does this conflict illustrate the wisdom in “innocent until proven guilty?” How might this story have been different, if he had sought to discover the truth before seeking revenge?

–JW

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Lucy Kalanithi: When Breath Becomes Air

“I went to visit Paul’s grave today,” Lucy Kalanithi is saying in my ear.

It’s a sunny spring Thursday in northern California and the young widow of Dr. Paul Kalanithi (pronounced “Kuh-LON-uh-thi”) is spending her lunchtime chatting with me on a cell phone. I read her official bio as prep for this interview, and it summed her up this way:

“Dr. Lucy Kalanithi, MD, FACP, is the widow of the late Dr. Paul Kalanithi, author of the #1 New York Times bestselling memoir, When Breath Becomes Air, for which she wrote the epilogue. An internal medicine physician and faculty member at the Stanford School of Medicine, she completed her medical degree at Yale.”

Suffice it say, I felt intimidated before she ever picked up the phone. But she’s been patient with my liberal arts education and we seem to be getting on just fine.

“I went to visit Paul’s grave today,” she’s just revealed, “with a friend this morning. But I was driving there by myself. It’s a winding road that takes you to the cemetery, which is near Half Moon Bay in California. I turned hymns on in the car. I have The Westminster Abbey Choir, and it gets me in a particular headspace. A contemplative, like reflective time. In a way it sort of stirs emotions that maybe I haven’t been attentive to when going through my to-do list and taking care of our daughter…”

I find that I don’t want to interrupt Lucy Kalanithi when she’s speaking.

We started our interview in a café but almost immediately she announced. “I might just go for a walk while we’re talking.” Then she was outside, in the streets, walking and talking and remembering. So for the last thirty minutes the melody of our conversation has been harmonized by things like a motorbike in desperate need of a muffler, random ramblings from passerby’s sidewalk discussions, traffic noises in the background and…laughter?

Wait, is that right?

Yes. As it turns out, laughter is very much a part of the Lucy Kalanithi experience.

Looking at her picture, reading her bio, remembering that she’s a widow and a single mother raising a small child, I expect her to be the somber sort. Intellectual. Gray-voiced and serious. Grown. Up. I guess she can be all those things when necessary, but her natural temperament appears to be something brighter, unreserved, more akin to joy.

Dr. Kalanithi laughs easily, and often. She gets excited about everyday moments. She’s warm and open and inquisitive and vulnerable. She says the word “like” a lot. And “sort of.” As in, “it’s sort of like…” She’s fascinated by living, yet an expert on death. And, well, she just seems at peace. Happy. I can’t help thinking this is the kind of doctor I’d like to greet me next time I’m sitting in a cold medical exam room waiting for a check-up. There’s life in her voice, and it feels contagious.

“I feel like having faith,” she’s saying to me now that the warbling motorbike has passed, “or even those hymns and traditions and songs as a touch point has been very grounding. It also feels as if it—I don’t know the right word!—elevates, or provides a meaningful context, and a communal context, for coping.”

Ah yes, coping would be required, I remind myself. He did die after all, didn’t he?

The Man Who Would Be Paul

For her first date with Paul Kalanithi, Lucy Goddard’s future husband took her to the circus-themed Barnum Museum in Bridgeport Connecticut.

For their last date, she followed him into a sterile hospital room and sat by his side while he died. It was Monday, March 9, 2015.

Dr. Paul Kalanithi was an accomplished neurosurgeon at Stanford University, in his mid-thirties, about to launch a long, productive career when he discovered he had metastatic lung cancer. He died two short years later, at age 37, leaving behind his wife and their infant daughter, Cady.

Sadly, many people die of cancer in America, so in that way Paul was not exceptional. What was unique about him though, extraordinary really, was that he chronicled his illness, beautifully telling his story from the perspective of both a patient and a doctor, exploring the breadth and depth and textures of a life preparing for death. Then, after their last date, Lucy completed her husband’s memoir, his final legacy, and shepherded it into publication. When Breath Becomes Air released January 2016 from Random House and became an instant bestseller.

Now, just over a year later, Paul’s widow and I are talking on the phone while she strolls peacefully though the glory of California’s trademarked sunshine. And she laughs. And occasionally tears up. And she remembers her husband for me, for us, sharing openly his beautiful sorrow, his tenacious hope, and the love that characterized his life…

§ § §

Lucy Kalanithi:

Paul used to say this thing where he would say, “We’re all guaranteed suffering. I hope we’re all guaranteed love.” Love and striving and suffering are kind of like the tent poles of what it means to be human, and also most of the world religions are built around that idea of love and suffering and striving. The biblical stories certainly provide that in Christianity.

There’s that part in the book where Paul writes about this, and this was a real conversation we had, obviously, when we were making the decision to have our daughter. We both were worried about each other. I asked him, “I worry that if we have a child, it’ll be so painful for you to die and know that you’re going die and you need to leave and say goodbye.” And then his answer was, “Well, wouldn’t it be great if it did make it harder?” We can’t avoid suffering. What we can do is attempt to find meaning.

Mike Nappa:

I’ve heard that one can suffer just about anything as long as there is purpose in the suffering.

Lucy

Oh! That’s so interesting! I think that’s been true for me, and certainly for Paul. Even if I think about my life over the past year since Paul died, taking care of our daughter has been a very clear purpose, and then making sure that Paul’s book came out was a really clear purpose. And then for my own professional path, I sort of felt disoriented for a while. Like I’m getting back on the academic track, but I’ve been on caregiver leave and maternity leave, and re-finding my footing as a widow and a mom. Like learning to be a mom and a widow at the same time as I’m returning to my career. And then finding a purpose in talking about end-of-life care and caregiving. You draw on what you’ve gone through, and you can’t predict it, you know?

Mike

By now we all know your husband’s story. What else would you like us to know about Paul?

Lucy

The thing that I think you can get a teeny sense of in the book, but not a full sense of, is he was really, really funny. I’m going to try and think of an example.

When he went to medical school he was worried that medical school would, like, beat the life out of him! Which didn’t end of happening. But sort of as a social anodyne around that time he slapped on a fake mustache, this big bushy mustache, on his face when he was getting his medical student ID photo taken. Like almost literally a Groucho Marx kind of thing! I think people would look at it and say, “Oh, was this guy a recent immigrant from India or something?” [Laughs] Like, what’s with this guy? It just sort of reminded him of who he had been before medical school, which was a writer and a sketch comedian, in college.

He was really, really alive, and he knew how to be reverent and irreverent at the same time. I don’t even know quite how to say it. But he was super funny, and he totally made me laugh, and he was really interested in what it means to be alive, whether that was reading serious literature or doing sketch comedy or doing brain surgery. He just was very interested in exploring the nooks and crannies of what it means to be human and be alive. Even when he was dying that’s what he was doing too. He was writing about death and life at the same time.

Mike

What part does your faith play when living through a situation like Paul’s cancer?

Lucy

We found it really helpful. I think some people, when they become ill or face a huge hardship, it changes their faith. They either become more or less faithful potentially. I think it’s interesting, Paul wanted to continue doing the same work as a neurosurgeon, and his faith remained really solid, but didn’t exceedingly grow or exceedingly shrink. What he had come to at that point in his life was really deeply considered, and so some things changed about him when he was sick, but his faith remained steady during that time.

Mike

You titled your husband’s book, When Breath Becomes Air. What does that title mean to you?

Lucy

He titled it! I think it’s really a striking title. It came from that little poem that’s the epigraph. That poem says, “You that seek what life is in death, now find it air that once was breath.” It’s a beautiful metaphor.

I remember sitting in bed with Paul—he was pretty ill so he did a lot of his writing either in bed or in a reclining armchair. He said, “Hey, I think I found the title for my book.” He’d been reading poetry, and he said, “I think I want to call it When Breath Becomes Air.”

It does kind of knock the wind out of you because it’s such a stark idea. It describes the moment of dying, when what was life and breath is now inanimate. It’s just air. That transformative process is so natural and so intense at the same time. And we had the opposite thing happening in our house too, which was Cady arrives and air becomes breath! It was this real mixing of both ideas. But I think it’s beautiful, and I think it suits Paul really well. And again, he chose the title.

The force of that idea, but then the fact that it’s also described really poetically, captures the sensibility of his book, and may be even why people are responding to it, because it’s the human exploration of something that is almost impossible to grasp.

Mike

When people speak to God about you, what do you want them to say?

Lucy

Ooh, wow! I guess I’ll just reflect on something. I mean, the thing that I hope for is peace and acceptance, so I guess I’ll share that. Like, even when Paul first was diagnosed and people said, “We’re praying for a miracle,” I would sort of think, “Oh, well you can just pray for peace.” Even if we don’t get a miracle, we can always use peace. That’s probably actually what we’re really going to need. That’s the thing I know we’re going to need!

Mike

I found that when my wife was battling cancer, at her worst, when I was actually starting to plan her funeral—

Lucy

Mm. Wow.

Mike

Oh, she survived!

Lucy

Yeah, yeah! But that’s an intense space to be in. That tells me how intense it was.

Mike

Yeah. I found that was the most unusual moment for me because I felt this intense, deep sorrow, and yet at the same time I felt this deep peace. This supernatural peace, just from God.

Lucy

Wow.

Mike

It was the weirdest thing. I had to actually stop and think about it. How do I feel this enormous peace in the midst of this enormous sorrow?

Lucy

And why do you think so?

Mike

I feel that God sometimes surrounds us with his presence. I mean, I feel he always surrounds us with his presence, and sometimes we are more aware of it than others. I think I was just aware of his presence at that time.

Lucy

Wow, that’s amazing.

I think about it, and I had that feeling on the day that Paul was dying. And I hope he did too, and I sort of sensed he did. Where it’s like “Nothing’s OK. And everything’s OK.” All at that same time.

Mike

Exactly. All right, well, It’s time to let you go. Thank you so much for taking time to chat with me today.

Lucy

Oh yeah! I was really glad to talk with you.

§ § §

Post Script

We hang up our phones. Dr. Lucy Kalanithi, MD, FACP, goes back to her life, and I prepare to head back to mine. But unexpectedly, I decide not to rush it. Not yet. I let silence fill my office, even forgetting to turn off the recorder that sits next to me.

“Jesus,” I whisper into God’s ear, “please continue to give Lucy Kalanithi the peace and acceptance that she’s asked for.” In the quiet I feel His presence, and I smile.

It’s nice to know He’s always near, both to Lucy and to me.


–MN


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The Martian Movie

Abandoned on Mars, astronaut Mark Watney must figure out how to stay alive until the next mission to Mars arrives, four years in the future.

(20th Century Fox)

Genre: Science Fiction

Viewer Appeal: Ages 12 and up.

Rated PG-13 for: Some strong language, injury images, and brief nudity

The 2016 Golden Globes awarded The Martian the Best Picture and Best Actor awards in a Musical or Comedy

This was for a survival movie about an astronaut stranded on Mars, alone, for four years. Interesting, because while it does have moments of levity, My Favorite Martian this is not.

In The Martian, Matt Damon plays Mark Watney, a botanist/astronaut who is one member of a team visiting Mars. While on an “E.V.A.” outside the “Hab,” a Martian storm of monumental strength kicks up. The force of it’s winds is so powerful the MAV is threatened, and the astronauts are forced to abandon their exploration of Mars for the safety of space.

Basically, the winds were so strong, they were afraid it would knock over their “ascent vehicle” (or rocket which would return them to Earth). While attempting to get to the MAV, Mark is struck by flying debris, knocked unconscious, and thought to be dead. When he awakens, he’s alone. And alive. On Mars. For four years, with enough food to last only partway through those numerous days.

Did I mention he’s a botanist?

Not wanting to die and all, Mark devises a plan to plant his Thanksgiving potatoes in Martian soil and produce his own food until help arrives. Did I mention he doesn’t have any way to contact NASA to let them know he IS alive? It’s really just a minor detail to Mark. He figures out how to find Pathfinder, start up that computer, and make contact. Along with a few other minor details that save his life.

On Earth, the smart people at NASA figured out a few months prior that Mark is alive and have been making preparations to send additional supplies. A team made up of Teddy Sanders, a NASA administrator (Jeff Daniels); Vincent Kapoor (Chiwetel Ejiofor), the Director of Mars Operations; and other miscellaneous scientists are working around the clock to figure out how to get a rocket ready in time to fly all the way to Mars before Watney dies. And they’re kind of in a bind until an unknown astrodynamicist walking the halls of NASA uncovers a brilliant idea. Why not have the crew who abandoned Watney, go back and rescue him?

The Martian could be a boring movie filled with sciency kinds of dialogue and information that very few of us would understand, but instead we have a movie that won an award for comedy! Matt Damon truly showed his knack for comedic timing, and embodied the quirky character of Mark Watney. Will he win an Oscar for his performance? I don’t know, but he performed brilliantly, as did the other actors supporting him.

I read this book, and was amazed at how the screenwriters kept (mostly) true to the original.

The suspense added at the end only furthered the excellence of an already brilliant story. His adventures and misadventures are well told. His isolation and loneliness are soundly documented in the desolation of Mars itself, as is his desperation to get home.

Will your kids like it? Tweens on up will find it interesting, which makes it a great movie for family night. Parents should be aware there are a couple of f-words, and other curse words implied.

The Martian was nominated for 7 Academy Awards, including Best Picture, Best Actor (Matt Damon), Best Writing, Best Production Design, Best Sound Mixing, Sound Editing, and Best Achievement in Visual Effects. It’s a worthy movie to see.

Let’s Talk About It

Use these questions to spark discussion among family members who are interested in this movie:

• Mark doesn’t talk much about God, but he does look at a crucifix and hope for help. Why is faith in God so easy to dismiss until we’re in trouble?

• Mark endured a sort of solitary confinement, which must have led to great feelings of loneliness. Being physically alone isn’t the only thing that can cause feelings of loneliness, though. How can even one friend change your life?

• If you were stranded on Mars, what would you miss the most about Earth? Why?

–JW

All product-related graphics in this article are standard publicity/promotional shots and are owned by their respective publisher.


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Spotlight Movie (the Catholic Church Controversy)

A team of investigative reporters uncover the sexual abuse scandal within the Catholic church that rocked the world.

Genre: Drama

Viewer Appeal: Mature teens and adults.

Spotlight took home the 2016 Academy Award (Oscar) for Best Picture, and added on Best Original Screenplay to boot. Why? Because Spotlight is a movie that makes you want to cry. To shake your fist and rage against the injustices and immoral and unethical behaviors that hurt the innocent of our world. But it also makes you want to cheer. For those who finally stand up and have the courage to turn on the light, so what’s done in the dark will be revealed.

If you’re above a certain age you remember when the Catholic Church scandal broke in 2002.

It was uncovered that priests had been molesting children for years. For decades. And no one did anything about it. It was brushed under the rug. Spotlight tells how the rug got pulled back and the dirt exposed.

The Boston Globe has a section in it’s paper called Spotlight. The purpose of Spotlight is to deeply investigate stories and tell the truth people will be interested in. These stories can take months to research. So when Marty Baron (Liev Schreiber) becomes the new editor of the Globe, everyone is concerned he’s going to cut jobs that aren’t regularly producing for the paper. But Baron has recently read a short article about a priest who’s been accused of molesting a handful of young boys, and while no one else is hopeful about taking on the Catholic Church, Baron gives the story to the reporters on Spotlight with the charge to look into it.

Reluctantly, Robbie Robinson (Michael Keaton) and his team, Mike Rezendes (Mark Ruffalo), Sacha Pfeiffer (Rachel McAdams) and Matt Carroll (Brian d’Arcy James) begin to poke around. It doesn’t take them long to realize they have a huge story that no one has wanted to tell. No one has had the courage to tell. As they talk with victims and lawyers, these journalists begin to realize how massive the cover-up is. It doesn’t just include a few local priests, but dozens and dozens; implicating Cardinal Law (Len Cariou) himself as complicit in the cover-up.

What makes this movie so heart-wrenching is its truth, and the far reaching arms of this scandal.

Boston wasn’t the only city affected, but it was happening across the globe, with hundreds of priests eventually being found out and thousands of children effected. Understandably, this a painful topic for millions of Catholics and Protestants alike, who feel the sting when their pastors are discovered participating in shameful and God-less activities. It’s certainly not something that glorifies or exemplifies the God they have vowed to serve.

Spotlight was nominated for six Academy Awards, and each was clearly deserved. Mark Ruffalo and Rachel McAdams were nominated in Supporting Actor/Actress categories, with Tom McCarthy for Directing and Original Screenplay (along with screenwriter Josh Singer).

This is a fascinating, well-written movie that will take you on an emotional journey worth talking about afterward. You won’t want to miss it.

Let’s Talk About It

Use these questions to spark discussion among family members who are interested in this movie:

• In a time when people are leaving the church, how can this movie be used to bridge the gap between the church and its parishioners?

• Mitch Garabedian (Stanley Tucci) observed that it took a Jew (an outsider) to push into this scandal. Have you ever been blind to something in your own life and needed someone else to help you see it? Explain.

• Why do you think the Catholic Church protected its priests in the way it did, instead of allowing them to face the consequences of their actions? What can we, as parents, learn from this?

–JW

All product-related graphics in this article are standard publicity/promotional shots and are owned by their respective publisher.


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