Category: All Mikey Blogs (Page 24 of 27)

This is the catchall to include blog posts from many different blogs into one category. Use this for an RSS blog feed link to places like Goodreads. This “Mikey All Blogs” category includes: 77 Reasons Why, Bible-Smart, Mikey Can’t Sleep, and NerdFans.

Bob Griese: In His Own Words

Few people can legitimately claim to be legends in their own lifetimes—but for Bob Griese the term “legend” is used with great regularity anyway.

Fans of the gridiron know that Bob Griese is the ONLY quarterback in NFL history to lead his team—the 1972 Miami Dolphins—to an undefeated, championship season. What’s more, this hall-of-fame QB has also achieved near-legendary status as a network television broadcaster for college football games—and he’s the father of Brian Griese, (former) quarterback for the NFL’s Denver Broncos.

What many people don’t know, however, is that this living legend has also had his share of heartache and defeat. When his wife, Judi, succumbed to cancer in February of 1998, Bob found himself both a widower and a single father. How did he cope?

Let’s find out as Bob Griese tells us in his own words…

▲▲▲

NerdFans (Us):

Thanks for joining us today, Bob. Let’s start off with your book, Undefeated, which you co-authored with your son, Denver Broncos quarterback, Brian Griese, and with biographer, Jim Denney. What first prompted you and Brian to write this book?

Bob Griese (BG):

Well, Brian and I weren’t interested in jumping and writing a book. We’re both pretty private people. I think the first blush, the first opportunity came a couple of years ago after the football season that Brian had at the University of Michigan, where they went undefeated and won the national championship.

US:

Brian was Rose Bowl MVP, right?

BG:

And I’m in the press box doing the broadcast with Keith Jackson, and Brian’s on the field, and I’d played in this same game—the Rose Bowl when I was at Purdue thirty-one years earlier. We had done five of Brian’s games earlier in the season—in broadcasting. The year before we hadn’t done any because the folks at ABC Sports didn’t want thought of conflict being in Brian the quarterback at Michigan and I’m broadcasting some of his games. So we didn’t do any Michigan games the year before, but then they relented and said, “This might be a good thing.”

US:

So now you two have taken that “good thing” and put it in book form. What was it like to work with your son on this book?

BG:

Well, it was interesting. It was fun. If you could see the way Jim Denney wrote the book, the layout, the format—

US:

It’s very conversational.

BG:

Yeah. He sat down and talked to us. He saw a competitive spirit, a back-and-forth, some kind of a special bonding, kidding that went back and forth in these interviews that he wanted to capture in the book. And that’s why he wrote the book the way he did—to capture that camaraderie, that back-and-forth that he saw when he was talking to us. And he wanted that to carry over in the book and I think he did a nice job of it.

US:

What does the title, Undefeated, mean for you and your family?

BG:

Well the term “undefeated” came from the fact that the Dolphins of 1972 won the Super Bowl undefeated; and Brian, twenty-five years later at Michigan, went undefeated and won a national championship. And [Brian’s mother] Judi, even though she lost her battle to cancer, her spirit still remains undefeated in our lives and in all the people that knew her and that she overcame cancer, and she’s still living and we’ll see her again. So I think the title, Undefeated, has a three-prong message there.

US:

Now, you and your family lost Judi to cancer when Brian was only twelve years old. What can you share with other parents about that experience?

BG:

All three of our boys—and we had three sons—they all turned out to be good, solid, Christian young men…Brian lost his mother when he was twelve, but his mother had twelve years of influence on him and I think the parents out there have to realize that they get these kids—their children—and the time to shape them is from the time they’re born until they’re about ten or twelve years old. Because once they get to be teenagers and the peer pressure and going to school and all this other stuff, you know you might lose them.

But if you have a strong foundation and be with your kids and do the right thing and teach them right thing, in the home as well in school and church or playground, that’s when you have the chance to influence your kids. And if you miss that—if you’re gone every weekend, if you’re traveling places—even though you love your kids, if you’re not around them, if you’re not with them, you’re missing an opportunity that you may regret when they’re fifteen or sixteen years old.

US:

Or even when they’re twenty-five or twenty-six, huh?

BG:

Yeah.

US:

After you lost Judi, what were your goals as a single father?

BG:

Well, I just wanted everything to be normal for Brian. And Brian was the only one that was home [then]. If it had been two or three of them at home or one of the other boys, I’d have done the same thing.

My father died when I ten, so I had been there where Brian was and I remember what my mother did for me and the things she did for me was make sure that my life didn’t change. I had lost my father but she made sure that this wasn’t a big scar on my life any more than it was losing a father—we’re not going to move, you’re not going to change doing from what you were doing. Just keep on doing what you were doing and that’s what I wanted Brian.

So we had a routine where I would get up early in the morning with him before he went to school, or his mother would always get up with him and make him breakfast and get him off to school. Now I did that, and it was a way of bonding.

US:

What kind of advice would you give to a reader who may also be struggling with the loss of a loved one in his or her family?

BG:

Well, if you have kids—if it’s a father parent and you have young kids, I’d say, “Be there with the kids and try to do as much for him to keep his routine the same.” My mother did that for me, and I did that for Brian. And now talking with him about it, I mean, that made a big difference.

US:

Of course Judi can never be replaced, but I understand you have remarried. What can you tell us about your wife, Shay and the blessings that she’s brought to your family?

BG:

Well, Shay’s a great lady. She came into our lives about four years after Judi passed away and I was hanging around with Brian a lot in the evenings, not doing much cause I wasn’t thinking about getting remarried. I’d never dated or anything like that; met Shay on an airplane and had lunch with her a couple of times, and then we started dating. But I didn’t want to do anything serious until I don’t know how much later on. [Brian] must have been sixteen, seventeen. He might have been a junior or senior in high school. He finally, he said, “Dad, you need to get yourself a friend and stop hanging around with me.” He says, “You need to get on with your life here.” So then I knew that it was time to maybe do something seriously in that regard.

US:

Well, Bob, that ends our time together. Thank you very much for sharing time and your story with the readers at www.NerdFans.com.

BG: Thank you.


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Marvel Comics Speaks to Parents

One on One with Axel Alonso, Editor in Chief at Marvel Comics

Logo: San Diego Comic-Con

If you’ve ever been to Comic-Con in San Diego, you know who the star of the show really is: Marvel Comics.

Marvel is the reason why your kids can’t get enough of heroes like Spider-Man, Iron Man, Hulk, and all those others. So, if you’re at Comic-Con this year and want to thank, or curse, somebody for that, here’s the guy you want to talk to. (Yeah, that handsome bald guy next to Spidey in the picture.) This man is responsible for your kid’s superhero obsession. His name is Axel Alonso, and he’s the Editor in Chief at Marvel Comics. That means:

  • When your child demands a Spider-Man costume for Halloween, it’s Axel Alonso’s fault.
  • When your young’un refuses to take off his beat-up, increasingly stained “superhero cape” well, Axel made ‘im do it.
  • When all your hard earned money goes toward Captain America comics, Black Widow dolls, and Agent Coulson collectible cards, Mr. Alonso considers that a job well done.

So what’s Marvel’s big deal with your family? We decided to find out…

ABOUT AXEL ALONSO

Axel Alonso began his career as hardworking magazine writer and editor after earning a Masters Degree in journalism from Columbia University. In 1994, mostly out of curiosity, he applied for a job at DC Comics and—bang!—he got it. Six years later, Marvel Comics came calling and a new era of pop culture history began.

Axel arrived at Marvel with a mandate to reinvigorate the ailing Spider-Man franchise. Numerous bestsellers and motion picture blockbusters followed.

Mission accomplished, Mr. Alonso.

For most of the next decade, Axel has lent his considerable talent toward shaping the stories of Marvel’s most classic heroes like Iron Man, Spider-Man, The Avengers, and the X-Men. His choices during this tenure in Midtown Manhattan have literally defined pop culture in America today.

In 2011, Axel he took on the role of Editor in Chief—or as USA Today described him, “The Main Man at Marvel Comics.”

As EIC, Axel’s in charge of every superhero comic published by Marvel—The Avengers, Iron Man, Captain America, Guardians of the Galaxy, Fantastic Four, and more. The stories he publishes in comic book form influence immeasurably the films your kids eventually see in theatres—and what our pop-obsessed society views as cool.

So, yeah, if your kid loves superheroes, it’s definitely Axel Alonso’s fault.

With that kind of influence in American families, we just had to find out more about the man (and the company) behind the many masks. What’s Marvel Comics all about, really? Why are they so interested in your kids? And why do kids need superheroes anyway?

Fortunately, Axel Alonso is a pretty cool guy, and he generously took time out of his busy schedule to chat with parents in answering those questions—and more. Care to listen in?

Marvel’s EIC Talks to Parents (and Us)

Us:

Axel, thanks so much for taking time to chat with us. Let’s start off with the basics: In your own words, what is Marvel Comics?

AXEL ALONSO:

Marvel tells stories about human perseverance—about super-powered individuals who rise to impossible challenges. Our readers aren’t rooting for the powers or the costume — they’re rooting for the person inside the tights.

With Spider-Man, they’re rooting for the kid from Queens who, when he’s not saving the world, has to scrape to make rent; with Captain America, they’re rooting for the 98-pound weakling who, through the miracle of science, was granted muscles that finally match the size of his heart.

Us:

Marvel Comics has become more than simply a “House of Ideas.” Your company’s superheroes and stories wield a significant influence on American culture. That’s great power and, as Marvel taught us, it brings with it great responsibility. How does Marvel Comics handle that culture-shaping responsibility?

AXEL ALONSO:

With over 70-plus years of stories in the bank and counting, Marvel Comics is modern mythology – and we’re well aware of the responsibility that comes with it. We take such great pains to portray our characters as the heroes they should be.

Our protagonists are models for life: people who rise above their personal baggage and insecurities to face great challenges and do great things.

Us:

Marvel Comics are loved by all ages, but we still associate superhero stories with children. In fact, some people think that comics and superheroes should only be for children. Others take the opposite view, saying that superhero stories don’t provide good role models for emotionally healthy childhood development.

Both those perspectives raise one important question: Why do kids need superheroes?

AXEL ALONSO:

Kids need heroes. While parents should be role models for life, superheroes remind a child of the moral compass necessary to navigate a universe fraught with thrills and danger.

Us:

Kids are obviously an important part of Marvel’s audience, as evidenced by everything from Spider-Man picture books to Iron Man kids’ magazines to Super Hero Squad cartoons and a number of kid-friendly comic book titles.

Why is Marvel so interested in reaching kids today, when more adult-oriented products seem to make more money?

AXEL ALONSO:

I discovered comic books as a young boy. They taught me to read and helped shape my moral code – they are a part of my DNA. As Editor in Chief of Marvel Comics, I understand the importance of cultivating young readers that will have a similar experience; as the father of an 8-year-old boy who’s a big fan of Spider-Man and Deadpool, I’m thrilled to see my son have a similar experience.

Us:

Some parents worry that Marvel Comics are too violent, political, sexualized, and so on. What would you like to say to those parents?

AXEL ALONSO:

Not all comics are intended for kids – which is why we label our comics for their intended audience. That said, most of our content is PG-rated material aimed at a multiplex audience.

Us:

If you and I were just hanging out at a barbecue, casually solving the problems of the universe over burgers and brats, what would you say is most important in life—and how is that reflected in your work?

AXEL ALONSO:

What’s the most important thing in life? Sounds corny, I know, but love – finding it, earning it, giving it, sacrificing for it. It’s why superheroes throw themselves headlong at impossible threats. Because their hearts overflow with it.

–MN

All product-related graphics in this article are standard publicity/promotional shots and are owned by their respective publisher.


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Marvel Comics Spotlight: Mark Morales

Behind the Scenes with artist Mark Morales at Denver Comic Con

Here’s the truth: Mark Morales cannot hit a curve ball to save his life. Seriously, he just can’t do it. Go figure.

On the other hand, Mr. Morales can swing circles around just about anybody when it’s time to set comic book art into inks. In fact, he’s one of the very best, and his inks and artwork have appeared in everything from Superman to Guardians of the Galaxy to X-Men to Nick Fury and many, many, more.

So when a guy like this shows up at a Comic Con near you, what’re you gonna do? Make him sit still for an interview, that’s what!

He’s what he had to say.

∞ ∞ ∞

The Interview!

Us

First, how did you discover comics? Tell us that story.

Mark Morales

I discovered the newspaper comic strips first. Stuff like Peanuts and Hagar the Horrible. When I was about five, I got my first comic book (Marvel Premiere #23) and I was hooked.

Us

What path did you take to become a professional inker in the comic book industry?

Mark Morales

I always drew some comic book stuff throughout grammar school and high school. I attended the School of Visual Arts in NY and got to take classes with teachers like Will Eisner, Gene Colan and Harvey Kurtzman. Once I graduated, I did some work in animation and graphic design for a few years. I was very slow as a penciler, so I gravitated to doing inks.

Us

How would you describe your job to someone who’s never heard of it? And what does a typical workday look like for you?

Mark Morales

My job as an inker is to bring depth and clarity to the pencils using whatever tool I can (brushes, pens, markers). Each job is different, since sometimes the pencils are very loose and scratchy, and others are highly detailed and precise. It’s usually a 9-13 hour day, depending on deadlines.

Us

What advice would you give to kids who want to pursue a career in comics?

Mark Morales

Just draw, draw, draw. And not from just comics and cartoons. Draw from life too. A comic book artist is required to draw everything well.

Us

What are some secrets you can tell us about the comic book industry?

Mark Morales

There aren’t really many secrets. It’s a fun job. But there are lots of hours sitting down and trying to get good at it.

Us

What’s been your most memorable experience at a Comic Con?

Mark Morales

I got seated next to Stan Lee at an awards dinner at the Baltimore Comic Con a few years back. Was great to interact with him for a few minutes.

Us

What’s the one question we didn’t ask, but should have asked? And how would you answer?

Mark Morales

Favorite inkers? Klaus Janson, Kevin Nowlan, Terry Austin, Joe Rubinstein.

∞ ∞ ∞

Ready…Set…Go!

Everything you need to know about Mark Morales in 60 seconds or less…

• Born where and when?

New York.

• Nicknames?

No nicknames.

• Best book you’ve inked in the past year?

Probably All Star Batman #8 that was penciled by Giuseppe Camuncoli.

• Hidden talent?

Trivia buff.

• Phobias?

None that I know of.

• Best compliment anyone could give you?

“I enjoy your work..”

• Best way for fans to contact you?

Twitter: @mark_morales11

Instagram: mark_morales11

–MN

All product-related graphics in this article are standard publicity/promotional shots and are owned by their respective publisher. Mark Morales photo credit: Denver Comic Con.


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How Much to Meet Stan Lee at Denver Comic Con?

It’s going to cost you…

Stan Lee is a valuable commodity these days, which is not bad for the legendary 93-year-old comic book nerd, but might not be viewed as such a  great thing for most of his fans.

You probably know Stan as the guy who revolutionized Marvel Comics and created some of your favorite superheroes: Spider-Man, the Fantastic Four, the X-Men, the Incredible Hulk, the Avengers, and many, many more. You’ve probably seen him cameo in most of the movies based on his amazing, fantastic, incredible creations. And you were probably thrilled when you heard this living legend is appearing at the 2016 Denver Comic Con (June 17-19)!

Want to meet Stan Lee?

Well, it’s possible—but it’s also going to cost you. Stan the Man is the next best thing to cash machine for a lot of people at this point in his storied life, and it appears they all like to get paid when he makes an appearance at someplace like Denver Comic Con. Still, given his current age and outsized history, this could be your once-in-a-lifetime opportunity to meet your real-life comic book hero.

If you’re one of the faithful ready to open your checkbook, here are your options for meeting Stan Lee at Denver Comic Con this year:

Option 1: Stan Lee on the Fanboy Budget

Cost: $100 + Denver Comic Con Admission + random taxes and fees + a few hours waiting in line

Unlike year’s past, Denver Comic Con promises that Smilin’ Stan will sit in a booth and sign autographs for all comers over the course of the three days of the Con. You’ll find Stan in the “Celebrity Summit” at various times during the event. When exactly? Well, you’ll have to double-check his posted schedule at the Con to find out, and then be prepared for him to arrive late or leave early (as the celebs frequently do at these kinds of things)—but he should be there. If you time it right, and if you stand in line long enough with a few hundred other fanboys and fangirls, you should be able to meet your hero and exchange pleasantries for a few minutes.

Pros: At $100 for an autograph or photo, this is the least expensive option for meeting Stan Lee at Denver Comic Con.

Cons: You’re going to have to wait in a very long line. Two other groups of people have “front of line” privileges which means many folks will be legally cutting ahead of you, no matter how long you wait or whether you got in line first. Worst of all, there’s no guarantee that you’ll make it to the front of the line before Stan leaves for the day (or the weekend). It is possible you could put in the time and still walk away empty-handed.

Option 2: Stan Lee for the Gainfully Employed (Speed Pass)

Cost: $100 for an autograph + $176 for a Speed Pass + random taxes and fees + 30 minutes to an hour or so waiting in line

This option is for the fan who values time more than money. Instead of buying standard admission to Denver Comic Con, you can buy a three-day “Speed Pass” ticket. According to DCC, this “Speed Pass grants the holder exclusive, first-access line to the convention each day, a dedicated, first-served line for Main Events (does not include other panel rooms), and front-of-line access for autographs. It does not include photo ops, as this is a third-party vendor.” What that means for Stan fans is this: You still have to wait in line and time it right at the appropriate booth in Celebrity Summit, but your line to Stan will be shorter (behind only VIPs and other Speed Pass holders). You’re still not guaranteed Stan’s autograph or a photo, but with front of line privileges, you’re much more likely to get to him before he tires out or disappears behind the curtain.

Pros: Much better chance of actually meeting Stan Lee at Denver Comic Con, and getting his autograph.

Cons: It’s a minimum of $276 in cost ($100 to Stan for his autograph, and $176 to DCC for your Speed Pass), which is no small sum. Also, all the poor schlubs who’re waiting in the regular fanboy line will be ticked off at you for cutting in front of them. You might hear Bernie Sanders slogans (or profanities) as you breeze by the schlubs. But hey, you’ll never see them again anyway, right?

Option 3: Stan Lee for the One Percent (VIP Package)

Cost: $375 for VIP Package + Denver Comic Con admission + random taxes and fees + 30 minutes to an hour waiting in line

If money is no object, then the Stan Lee VIP Package is for you. Yes, you have to pay an enormous sum ($375) in addition to the cost of your ticket to Denver Comic Con, but the perks are pretty nice. Here’s the official description…

Stan Lee will be offering VIP LEVEL PACKAGES that are good for ONE DAY ONLY, meaning that you get one day of VIP benefits listed below. VIP benefits will be fulfilled at Stan’s booth in Celebrity Summit for the day applicable. Friday, Saturday or Sunday Stan Lee VIP package price is $375, plus other fees, and includes:

• 1 t-shirt

• 2 randomly selected comic book variants from the Stan Lee Collection

• 1 lithograph, autographed

• 1 regular autograph ticket

• 1 regular photo op ticket

• copy of “It’s All About the Love: The Stan Lee Family”

• VIP access to Stan’s autograph line, 10-11 a.m. for that day only

• Everyone who purchases a Stan Lee VIP ticket will be entered into a drawing for a special meet and greet with Stan Lee (10 names drawn daily with the meet and greet time TBA)

Please remember…Stan Lee VIP Packages are NOT to be confused with regular Denver Comic Con 2016 tickets; a regular DCC’16 badge (valid for that day) is still required to enter the Denver Comic Con.Stan Lee VIPs Packages are totally separate from the Denver Comic Con Speed Pass. Autograph purchases are nonrefundable, non-exchangeable and non-transferable, unless the guest cancels.

Pros: This is the only way to guarantee you get a Stan Lee autograph and photo at Denver Comic Con, and your line to Stan will be shortest of all. Plus, you know, there’s a T-shirt.

Cons: Way expensive. Nonrefundable. Will be viewed as indulgent and wasteful by your friends and family who couldn’t afford it. Doesn’t do a thing for world hunger or the homeless in your community.

Enjoy the show!

–MN

Denver Comic Con Spotlights (2016)

All images courtesy Denver Comic Con. All rights reserved. Reprinted by permission.


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YESTERDAY

Yesterday - Blu-ray Disc

Yesterday tells the story of a mysterious, worldwide blackout, and a young musician who is the only person alive to remembers the songs of The Beatles afterward.

Rated PG-13, for for suggestive language and content.
Genre: Romantic Comedy
Viewer Appeal: Teens and Adults.

First, I must admit I’m no fan of The Beatles, nor of their deified status among Baby Boomers who claim to have experienced them firsthand. HOWEVER, my indifference for the Four-Chord Wonders is more than eclipsed by my unashamed fandom for Yesterday screenwriter, Richard Curtis. He’s the only filmmaker to place a whopping three titles in my personal “Top 10 Movies of All Time” list (Notting HillLove ActuallyAbout Time). So while I was tempted to skip Yesterday because of it’s Beatles connection, I couldn’t resist making time for a new Richard Curtis’ movie. As expected, that Curtis touch made all the difference. ​

Here’s the story of Yesterday:

Jack Malik (played by newcomer Himesh Patel) is a struggling young musician on the verge of giving up his career aspirations, ready to go back to a job teaching music to kids. His manager/roadie/driver/ biggest-fan/best-friend-since-childhood, Ellie (Lily James) convinces him to stick with it just a bit longer. Then … while riding his bicycle home after another lackluster performance, a bus careens into young Jack at the same moment when a worldwide power-outage spreads across planet Earth for 12 full seconds. When the poor lad wakes up in the hospital (with Ellie there to care for him, of course): “Everyone in the world has forgotten The Beatles. Everyone except Jack.”​

Our hero finally figures out that he’s the only one who remembers songs like “Yesterday,” and “Sgt. Pepper’s Lonely Hearts Club Band,” and “Eleanor Rigby,” and the rest. See, every time he plays a Beatles’ song people think he wrote it, and are appropriately awed. So, armed with the catalog of any song he can remember by John, Paul, George, and Ringo, he quickly becomes the most successful singer/songwriter in the world. But with fame and fortune finally in his lap, why is Jack still so unhappy? ​

It takes only one simple “what if?”

As usual with a Richard Curtis movie, it takes only one simple “what if?” to spin a full-bodied story of curiosity, warmth, and surprise. I can’t tell you how many times (six maybe, seven?) I thought I knew what was going to happen next, only to be pleasantly surprised by the, um, surprise that happened next. When a filmmaker can do that to a jaded movie-watcher like me several time over the course of 116 minutes, that gets my attention. Additionally,  Curtis is a master at bringing uniquely-flawed, yet irresistibly lovable characters onto the screen. People feel like real people, even in the most absurd circumstances – a feat that few filmmakers can accomplish with consistency. ​

Drafting newcomer Himesh Patel to play Jack was a stroke of genius by director Danny Boyle. Tasked with not only acting the part, but actually singing and playing the world’s most famous playlist of songs, it would’ve been easy for another actor to be “Brad Pitt playing Jack” or some other onscreen personality simply wearing makeup. But Patel’s general anonymity combined with his significant talent allows us to see only Jack Malik evolving before our eyes, never “Famous Actor pretending to be Jack Malik.” That kind of movie moment is rare, and welcome. ​

The Real Star of Yesterday

The real star of Yesterday, though, is the girl-next-door Ellie as embodied by the lovely Lily James. At times fierce, at others beautifully vulnerable, she’s a constant pillar in this film, lighting up the screen every time she flashes a shy, adoring smile toward her lifelong crush. It’s safe to say that this film centers on Jack Malik, but the story is about Ellie. ​

So, even though I’m a guy who kinda hates The Beatles, I was still impressed by Richard Curtis. Once again, he’s crafted a beautifully-written, heartwarming story for people who love romantic comedies – and each other. Enjoy this one on a “Date Night”  and then, if it seems appropriate, share it with your teen children for a “Family Movie Night” as well.​

Bonus features on the Blu-ray edition of Yesterday are plenty, and include: ​

  • Alternate Opening
  • Alternate Ending
  • Deleted Scenes
    • Corden & Roxanne – Includes deleted performance by Himesh Patel of “Something”
    • Late for School
    • Nutters Italian Ice Cream
    • Sortisimus
    • Moscow Audience
    • Alexa
    • A Gonk
    • W Hotel
    • Jack Calls Ellie
    • Hilary in the Mirror
    • Nick and Carol
    • Hazel’s Selfie
  • Gag Reel
  • Live at Abbey Road Studios – Watch Himesh Patel perform “Yesterday”, “I Want To Hold Your Hand”, and “Let it Be” at Abbey Road Studios.
    • “Yesterday”
    • “I Want To Hold Your Hand”
    • “Let it Be”
  • Ed Sheeran: From Stadium to Screen – Acting in his first major role, Ed Sheeran reflects on his experiences making the movie.
  • Agent of Comedy: Kate McKinnon – Kate McKinnon shares how eager she was to play the role of “Debra Hammer” while the cast and crew reflect on the fun and energy that the queen of improvisational comedy brought to the set.
  • A Talented Duo – Richard Curtis and Danny Boyle, two of the most successful British filmmakers, team up for the first time.
  • Playing for Real – The re-interpreting of the Beatles songs was a huge undertaking for newcomer Himesh Patel. Learn how he spent months learning to play the songs perfectly as the production decided to take the more challenging route of recording the musical numbers live on set.
  • Soul Mates – Beyond the music and the laughs, the film is, of course, a love story. This piece looks at the relationship between Jack & Ellie and the actors playing them.
  • A Conversation with Richard & Ed – Long-term friends Richard Curtis and Ed Sheeran have a funny and informal chat about the making of YESTERDAY.
  • Feature Commentary with Director Danny Boyle and Writer/Producer Richard Curtis

Let’s Talk About It …

  • If you were to summarize the main message of Yesterday into one sentence, what would it be?
  • What makes creative art (like music, books, images, and more) so meaningful to people? Explain.
  • In your opinion, did Jack “steal” The Beatles’ songs, or did he honor their forgotten legacy? Defend your answer.

All product-related graphics in this article are standard publicity/promotional shots and are owned by their respective publisher.

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